BRIAN SPOLANS
EDUCATION
University of North Texas, Denton, TX
MFA in Studio Art, Printmaking 2006
University of Texas at Austin, Austin, TX
BFA in Studio Art 2002
SOLO OR SMALL GROUP EXHIBITIONS
2011Breaking Frontiers,: New Works by Brian Spolans, Wiseman Gallery, Rogue Community College, Grants Pass, Oregon
2010Spectacles, Ford Gallery, Eastern Michigan University, Ypsilanti, Michigan
2009Hiding in Suits, Fort Worth Community Arts Center, Fort Worth, Texas
2009Miopias: New Prints by Brian Spolans, Kiva Gallery, Mountain View College, Dallas, Texas
2009Bear Suits and Rooster Parachutes, 500X Gallery, Dallas Texas
2008Open Terrain, 500X Gallery, Dallas Texas
2008Love is Forever, New Works by Brian Spolans and Kelly James, Art Corridor, Tarrant County Community College, Arlington, Texas
2007Morning Sundae, 500X Gallery, Dallas, Texas
2006Soft Cannon: New Works by Matt Clark and Brian Spolans, Gallery 414,
Fort Worth, Texas
2006Salmon Wishes: Angela Smalley and Brian Spolans, 500X Gallery, Dallas, Texas
2005Judgment Afternoon: New Works by Brian Spolans, Cora Stafford Gallery, Denton, Texas
JURIED EXHIBITIONS
2011Louisiana Purchase: National Biennial Jurried Exhibition, Juror Barbara Bloemink, Louisiana Tech University, Ruston, Louisiana
2010The Print, Ann Arbor Art Center, Juror Endi Paskovic, Ann Arbor, Michigan
2010Game Play, H. Don and Connie J. Osborne Family Gallery, Omaha, Nebraska
2010Sumer Prints, International Print Center in New York, Curated by Phillip Pearlstein, New York, New York
2010Reality Gallery, New York Studios Gallery, Jurors Kristen Copham and Felicity Hogan, New York, New York
20092nd Annual Gulf-South Regional, B.E.C.A. Gallery, New Orleans, Louisiana
2008Biological Imperative, Gallery Aferro, Curator Emma Wilcox, Newark, New Jersey
2007The Drawing Show, Spencertown Academy Arts Center, Spencertown, New York
2006 New Prints 2006/ Summer: Color, International Print Center New York, New York
EXHIBITIONS
2010Allegories, Space 237, Toledo, Ohio
2010Lite Bright, The Lite Box, Curator Brian Wilson, Birmingham Alabama
20105X7, The Jones Center, Austin, Texas
2010Faculty Show, University Gallery, Eastern Michigan University, Ypsilanti, Michigan
2010Midnight Snacks, 1366 Space, Chicago, Illinois
2009Contemporary Painting, Ford Gallery, Co-curators Amy Sacksteder and Michael Reedy, Eastern Michigan University, Ypsilanti, Michigan
2008Holiday Bazaar, 500X Gallery, Dallas, Texas
2008Under New Management, 500X Gallery, Dallas, Texas
2008FWCAC Biennial, FWCAC, Fort Worth, Texas
200830th Anniversary, 500X Gallery, Dallas Texas
2008Wish, Dallas Contemporary, Dallas Texas
2007Saturday Night Fever, 500X Gallery, Dallas Texas
2007Faculty Exhibition, University of North Texas Gallery, Denton, Texas
2007Summer Breeze, Good Good Things, Dallas, Texas
20075x7, The Jones Center, Austin, Texas
200799 Red Balloons, 500X Gallery, Dallas, Texas
2006 Upstairs Show, 500X Gallery, Dallas, Texas
2006Annual Members’ Show, 500X Gallery, Dallas, Texas
2006Faculty Exhibition, Tarrant County College, Arlington, Texas
20065x7, Dunn and Brown Contemporary, Dallas, Texas
2006 Art Whipped, UNT Artspace FW, Fort Worth, Texas
2006 draw_drawing_2, The Foundry, London, England
2006 Plethora, Cora Stafford Gallery, Denton, Texas
2005 Art Conspiracy, The Texas Theater, Dallas, Texas
2005Celestial Confrontation, Cora Stafford Gallery, Denton, Texas
2005Out of Sight, City of Denton, Texas
2005Tapped, UNT, Denton, Texas
2004Texas Top Five, Cora Stafford Gallery, Denton, Texas
2002Senior Show, Blanton Gallery, Austin, Texas
2002Prints, Flood Gallery, Austin, Texas
2001Scholarship Recipients Exhibition, Flood Gallery, Austin, Texas
2000Art Night, Austin Music Hall, Austin, Texas
TEACHING EXPERIENCE
Eastern Michigan University, Ypsilanti, MI
Area Head– Printmaking 2009 - Present
Manage the daily use of the printmaking area along with the purchasing of materials for each semester. Maintain the equipment and consumables in the printmaking area. Direct the graduate assistant in their duties. Determine curriculum and class structure for each printmaking class.
Assistant Professor – Beginning Screen Printing 2009 - Present
Introductory printmaking class that focuses on getting comfortable with concepts of printmaking through the process of screen printing. Some of the processes covered are color reductions, photo, and monoprinting. Creating conceptual work is also a major component to the course
Assistant Professor – Beginning Lithography 2009 - Present
Introductory printmaking class that focuses on getting comfortable with concepts of printmaking through the process of lithography printing. Some of the processes covered are color stone lithography, plate lithography, reductions, color, and multi-plate. Creating conceptual work is also a major component to the course.
Assistant Professor – Beginning Intaglio and Relief 2009 - Present
Introductory printmaking class that focuses on getting comfortable with concepts of printmaking through the process of intaglio and relief printing. Some of the processes covered are linoleum relief, reduction relief, dry point, line etch, hard ground, soft ground and multi-plate intaglio. Creating conceptual work is also a major component to the course
Assistant Professor – Monoprinting/ Monotyping 2009 - Present
Introductory printmaking class that focuses on utilizes the repeatable matrix of printmaking methods to create unique prints. Multiple processes are covered and combined.
Assistant Professor – Intermediate Printmaking 2009 - Present
Intermediate printmaking class that focuses on gaining a more complex understanding of the printmaking processes. The processes covered in the course vary by semester and student needs. The course emphasizes creating conceptual work, using multiple processes and monoprinting.
Assistant Professor – Advanced Printmaking 2009 - Present
Advanced printmaking class that focuses on experimenting with concepts of printmaking. The processes covered in the class are determined by the students needs. The course emphasizes conceptual work, a writing component, and using multiple processes.
Assistant Professor – Graduate Printmaking 2009 - Present
Advanced printmaking class that focuses on creating conceptual work with the printmaking processes. Professional development, theory and writing are contributing factors along with studio work.
University of Texas Arlington, Arlington, TX
Assistant Adjunct Instructor – Drawing Fundamentals 2008 - 2009
This class focuses on translating reality into two-dimensions. The subjects covered concentrate on developing observational and representational skills. Value, raking light, texture, organizational line, contour, atmospheric perspective and one point perspective are the main areas discussed.
Assistant Adjunct Instructor – Intro to Printmaking 2008 - 2009
Students are introduced to concepts of printmaking and printmaking processes. The class is intended to give a brief introduction to different print mediums including etching, monotyping and screen printing. The students are expected to discuss work on a formal and conceptual level.
Assistant Adjunct Instructor – Two Dimensional Design 2008 - 2009
Students are introduced to the core concepts of elements and principles of design. The class introduces students to a variety of media and techniques. The students are expected to hone their formal skills as they relate to a variety of subjects including fine art, advertising, and film.
Assistant Adjunct Instructor – Drawing Concepts 2008 - 2009
Students develop conceptual and formal skills while exploring new media. The class relies heavily on art historical references to different approaches regarding meaning. The students are encouraged to develop personal approaches towards narrative, context, and concepts.
University of North Texas, Denton, TX
Adjunct Instructor of Record – Beginning Figure Drawing 2009 -2009
This class introduces concepts of drawing and how it relates to the figure. Students are taught techniques and encouraged to experiment with a variety of drawing methods. Students gain a more complex understanding of human anatomy while working from a model.
Adjunct Instructor of Record – Advanced Screen printing 2007 - 2009
This class continues to teach processes relevant to screen print. Although there is a photo and CMYK project, students are encouraged to develop content and experiment with the media. Students are also required to write artist statements and give a presentation on their work and the artists that inform their work.
Printmaking Review Committee 2007 – 2009
Review and evaluate mid-point, and exit reviews of graduate students with printmaking and other visual arts faculty.
Adjunct Instructor of Record –Relief Monotype 2006 - 2009
Students learn processes relevant to creating unique multiples, while developing conceptual skills. The class focuses on a variety of processes, including dry point, collograph, chine-collé, lino-cut, color reduction, embossment, and collage. Students are required to create thematic work and give a presentation on contemporary artists that deal with similar issues.
Adjunct Instructor of Record– Screen printing 2006 - 2009
Students learn processes relevant to screen printing, while developing conceptual skills. The processes include reduction, multiple reductions, monotype, and digital screen printing. Students are required to create thematic work and give a presentation on contemporary artists that deal with similar issues.
Adjunct Instructor of Record – Lithography 2006 - 2009
Students learn processes relevant to lithography, while developing conceptual skills. The processes include stone, plate, multiple plate, color, and photo/digital lithography. Students are required to create thematic work and give a presentation on contemporary artists that deal with similar issues.
Printmaking Review Committee 2006 – 2009
Review and evaluate mid-point, and exit reviews of undergraduate students with the printmaking faculty.
Adjunct Instructor – Drawing I 2006 - 2009
This class focuses on translating reality into two-dimensions. The subjects covered concentrate on developing observational and representational skills. Value, raking light, texture, organizational line, contour, atmospheric perspective and one point perspective are the main areas discussed.
Adjunct Instructor –Drawing II 2006 - 2009
This class continues to push the student’s ability to translate and mimic reality while allowing more room for interpretation, experimentation, and conceptualization. The main ideas discussed are two-point perspective, space, figure drawing, and color. Contemporary issues and discussion skills are more relevant as the projects become more dynamic.
Teaching Fellow – Screen printing 2005 - 2006
I restarted the screen printing program on paper at UNT which had not existed for several years. Students learn processes relevant to screen printing, while developing conceptual skills. The processes include reduction, multiple reductions, monotype, and digital screen printing. Students are required to create thematic work and give a presentation on contemporary artists that deal with similar issues.
Printmaking Technician - 2005 - 2006
Coordinated the packing up and movement of the printmaking studio from one building on campus to another. I also aided in the design of the new print studio, and prepared the space for the printmaking program. My other main responsibilities were the routine maintenance of the print shop, refilling solvents, and managing shop clean-up.
Teaching Assistant –Drawing II 2003 - 2006
This class continues to push the student’s ability to translate and mimic reality while allowing more room for interpretation, experimentation and conceptualization. I was responsible for the interpretation of the lecture, running of the lab portion of the class, and grading.
Teaching Assistant – Drawing I 2003 - 2006
This class focuses on translating reality into two-dimensions. The subjects covered concentrate on developing observational and representational skills. I was responsible for the interpretation of the lecture, running of the lab portion of the class, and grading.
Tarrant County Community College, Arlington, TX
Adjunct Instructor – Drawing I 2006 - 2007
The class focuses on translating reality into two-dimensions. The subjects covered concentrate on developing observational and representational skills. Value, raking light, texture, organizational line, contour, atmospheric perspective and one point perspective are the main areas discussed.
Adjunct Instructor –Drawing II 2006 - 2007
This class continues to push the student’s ability to translate and mimic reality while allowing more room for interpretation, experimentation and conceptualization. The main ideas discussed are two-point perspective, space, figure drawing, and color. Contemporary issues and discussion skills are more relevant as the projects become more dynamic.
RELATED EXPERIENCE
The Dallas Museum of Art, Dallas Texas Dec.2008
Instructor – Sketching in the Galleries
A month long free program for students of all levels of experience. The class focuses on drawing from the collections on display at the Dallas Museum of Art and at the Nasher Sculpture Center.
The Modern Art Museum of Fort Worth, Fort Worth, Texas
Instructor – Friday Afternoon Drawing Studio: Figure Drawing Mar. 2008
An eight-week course designed for adults that focuses on figure drawing and makes connections to artwork in the museum’s collection and special exhibitions.
Instructor – Friday Afternoon Drawing Studio Jan. 2007
An eight-week course designed for adults that focuses on drawing and learning from artwork in the museum’s collection and special exhibitions.
Instructor – Drawing from the Collection Sep. 2006
A four-week drawing course for adults that takes place in the galleries and is based on the museum’s collection and special exhibitions.
The Dallas Contemporary, Dallas, Texas
Master Printer 2009
Printer of a 100+ edition print with artist Linea Glatt
Master Printer 2008
Printer of a 120+ edition print with artist Ludwig Schwartz
Master Printer 2007
Printer of a 110+ edition print with artist Tom Orr.
Master Printer 2006
Printer of a 95+ edition print with artist Vernon Fisher.
University of North Texas, Denton, Texas
UNT Artspace FW Gallery Assistant 2006
Handled and hung exhibitions as well as managed the schedule for the sitters.
AJL Screen Printing, Austin, Texas
Printing Technician 2002 - 2003
Setup up and printed t-shirts on a six color automatic press.
Birmingham Southern College, Birmingham, Alabama
Gallery Assistant 08/97 – 05/98 1997 – 1998
Aided in the hanging and maintenance of the gallery.
COLLECTIONS
Joan Davidow, Director, The Dallas Contemporary
Terri Thornton, Curator of Education, Modern Art Museum of Fort Worth William Rudolph, The Pauline Gill Sullivan Curator of American Art, Dallas Museum of Art
University of Texas Austin Print Collection
AWARDS/PUBLICATIONS
New Faculty Grant, Eastern Michigan University 2009
Photo Finish, Fort Worth Weekly 2009
May 20th, Anthony Mariani
New American Paintings #78 2008
West edition, November 2008 juried by Andrea Karnes
Biological Imperative
Aferro Publication #7, Emma Wilcox, editor 2008
30th Anniversary, Your Favorite Artist Was a Member Here 2008
The radar Art, Modern Luxury Magazine 2008
January 2008, Steve Carter
Sculptor and Painter are Unalike but in Toon, Fort Worth Star Telegram 2006
December 24 2006, Titus O’Brien
Michael Frary Endowed Scholarship, University of Texas at Austin 2001
Excellence in Service to Youth Award, YMCA 2001
Juried Exhibition Winner, Birmingham Southern College 1998
MEMBERSHIPS/ORGANIZATIONS
•500X Gallery
•College Art Association
•Art House, Texas
•Print Association of North Texas Students, Co-Founder, President (2005-2006)
Resume